reality is better by family strokes No Further a Mystery
reality is better by family strokes No Further a Mystery
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Heckerling’s witty spin on Austen’s “Emma” (a novel about the perils of match-making and injecting yourself into situations in which you don’t belong) has remained a perennial favorite not only because it’s a sensible freshening on the classic tale, but because it allows for thus much more past the Austen-issued drama.
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But this drama has even more than the exceptionally unique story that it's over the surface. Set these guys and how they experience their world and each other, in a very deeper context.
The film’s neon-lit first part, in which Kaneshiro Takeshi’s handsome pineapple obsessive crosses paths with Brigitte Lin’s blonde-wigged drug-runner, drops us into a romantic underworld in which starry-eyed longing and sociopathic violence brush within centimeters of each other and lose themselves from the same tune that’s playing within the jukebox.
The timelessness of “Central Station,” a film that betrays none of the mawkishness that elevated so much of the ’90s middlebrow feel-good fare, may be owed to how deftly the script earns the bond that forms between its mismatched characters, And exactly how lovingly it tends into the vulnerabilities they expose in each other. The convenience with which Dora rests her head on Josué’s lap in the poignant scene indicates that whatever twist of destiny brought this pair together under such trying circumstances was looking out for them both.
Oh, and blink and also you gained’t miss legendary dancer and actress Ann Miller in her final big-display screen performance.
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gained the Best Picture Oscar in 2017, it signaled a different age for LGBTQ movies. Within the aftermath of the surprise Oscar earn, LGBTQ stories became more complex, and representation more diverse. Now, gay characters pop up as leads sweet russian minerva gets access to a slim jim in movies where their sexual orientation is really a matter of truth, not plot, and Hollywood is adding to the conversation around LGBTQ’s meaning, with all its nuances.
Nearly 30 years later, “Strange Days” is often a tricky watch due to the onscreen brutality against Black folks and women, and because through today’s cynical eyes we know such footage rarely enacts the alter desired. Even so, Bigelow’s alluring and visually arresting film continues to enrapture because it so perfectly captures the misplaced hope of its time. —RD
It didn’t work out so well for the last girl, but what does Advertèle care? The hole in her heart is almost as major as being the gap between her teeth, and there isn’t a man alive who’s roxie sinner been able to fill it to this point.
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had the confidence or even tube galore the cocaine or whatever the hell it took to attempt something like this, because the bigger the movie gets, the more it seems like it couldn’t afford for being any smaller.
Life itself is not really just a romance or simply a comedy cleo clementine studying ass today cuz theres a test or an overwhelming because of “ickiness” or simply a chance to help out 1’s ailing neighbors (By the use of a donated bong or what have you), but all of those things: That’s a lesson Cher learns throughout her cinematic travails, but just one that “Clueless” was developed to celebrate. That’s always in manner. —
Hayao Miyazaki’s environmental panic has been on full display considering the fact that before Studio Ghibli was even born (1984’s “Nausicaä of the Valley on the Wind” predated the animation powerhouse, even as it planted the seeds for Ghibli’s future), but it really wasn’t until “Princess Mononoke” that he right asked the dilemma that percolates beneath all of his work: How would you live with dignity within an irredeemably cursed world?